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Repository 231: God Nose | The Radical Position of the Immaterial in Olfactory Art
Consequently, everything that concerns creativity is invisible, is a purely spiritual substance. And this work, with this invisible substance, is what I call “social sculpture.” This work with invisible substance is my domain, at first, there is nothing to see. Subsequently, when it becomes corporeal it appears initially in the form of a language. -Joseph Beuys Olfactory art’s immaterial qualities, you cannot see it, disrupts systems of representation. This silent and borderless focus is a radical reaction to the hyper-retinal,…
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Repository 217: Hilma’s Project
After a transcontinental red eye from the West coast, I dropped my bags in the West Village and took the subway uptown. On twenty-eight hours of no sleep, I arrived at the Guggenheim to see the “Hilma af Klimt: Paintings for the Future” show. This was a pilgrimage, as a woman artist who knows 100 percent that we have not been given our due in the art world, that our natural creativity and depth of thinking have not been explored…
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