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This past Fall my husband and I celebrated our 10 year wedding anniversary in Ireland. In Dublin we were able to see the Irish Museum of Modern Art’s current show, up through February 2016, titled “What We Call Love”. This ambitious show celebrates visual artists’ take on the ever-changing idea of love from the Surrealists to Louis Bourgeois and Jim Hodges. While our ideas of love change throughout time, the feeling is always the same. There were three pieces in…
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Russian conceptual artist Vadim Zakharov has transformed* the Russian Pavilion in Venice this year into a charged performance separated into “five acts” using gender as a dividing line. The installation is inspired by the myth of Danaë who was famously raped by Zeus – though in the write up of the art piece the rape is called “impregnation” to soften the blow. The crafty and powerful Zeus raped Danaë in this particular myth, not by transforming into a swan or…
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As artists we are given the job to assert in a visual way (or musical, dance, etc) the signs of our times – we are challenged with either facing the music or squirreling around without integrity making work that simply decorates our ideas. It’s with this in mind, and an eye on world and art world events, that I see a keen addiction to the sensory – a sensation addiction. Senses are natural, sensational is an obvious attraction, however perception…
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