In the wake of years of countless exhibits exploring globalization, and how we are all connected in some way, shape or form the Elevation 1049: Between Heaven and Hell is rather refreshing. The concept of the exhibit is to celebrate the specificity of place, not the global, and explore Gstaad, Switzerland by Swiss artists only. Basically it’s public art above and around this snowy town. Most of us will not be able to attend, so they’ve made a highly informative and well documented web site where you can see the artists’ work in situ via web (helpful).
My favorite is Pipilotti Rist’s adorable, and slightly naughty, installation at the Hotel Olden. A video of hers is projected on a bottle at the bar – a perfect treat for unsuspecting, wandering eyes at the bar.
The exhibit was curated by Olympia Scarry and Neville Wakefield, and made possible by the LUMA Foundation and generous advertising dollars of Dior and BMW. While I don’t agree with the subtitle – most of the work does not remind me of hell (except for maybe Rist’s piece). Gstaad is an idyllic ski town known as a popular location for Bollywood films, and a discreet escape for the rich and famous. Scarry has been quoted in this month’s Surface Magazine as saying the exhibit is a way to have a dialog between the artists and the collectors, versus simply the collectors spending time in Gstaad. They are hoping the exhibit morphs into a nomadic piece that will travel to various locations. Next stop they envision is Mexico, where they are calling it the “Zone of Silence”.
Elevation 1049 Visitors Centre
open daily from January 23 until March 8 2014 at
Gstaad Tourist Office
Tagged: Elevation, Elevation 1049, Gstaad, Hans Ulrich Obrist, LUMA Foundation, Neville Wakefield, Olaf Breunning, Olympia Scarry, Pipilotti Rist, Public Art, Switzerland, Ugo Rondinone
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