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One had to build shelters. One had to make pockets and live inside them. -Lorrie Moore, Like Life. Vintage, 1990 If home is sweet home, then why is the domestic sound terrifying? Horror stories are rooted around a home, or collection of homes we call a town. Countless artists have avoided direct representation of the home unless it’s a subversive attempt to expose the dark, inner sanctum of the familiar. Naturally artists remove sweetness from the domestic. Sweetness is heavy,…
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Last week I visited the brand new Whitney’s home in Manhattan’s Meatpacking District, a stunning 8-floor building designed by Renzo Piano. While the new museum is much larger, and light filled, the layout of the old museum on Madison felt in tact: elevators centering the design, with galleries flanking either side of the elevator entrances. Standout design additions are the outdoor sculpture areas, large bar and restaurant, and peaceful seating areas on each floor to give your eyes a rest…
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Image of Anna Maria Maiolino’s, “Here and Now” installation at Documenta 13, photo by Catherine Haley Epstein. I’ve always loved artist homes and studios that have been open to the public under the guise of museum – they are always more intimate than the massive halls and collections of the “official” museums, and the tremor of the everyday (bathrooms! kitchens!) sit tightly with the art, the strokes of genius, and the important gestures made by previous residents. My first experience…
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I was about to post about the architect Zaha Adid, and reference my favorite female architect Gae Aulenti when I went to check the date of something, I learned Ms. Aulenti died earlier this month. I’d missed the news obviously, and indeed this post will be dedicated to Gae. Few know that this resourceful and visionary architect was responsible for renovating entire municipal buildings and palaces into homes for art. After architecture school in the 50’s Gae (pronounced “Guy”), worked…
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